If reality TV is over, does that mean more opportunities for writers? Jessica Mayne quizzes Hannah Sim, one of the brightest names in factual entertainment.
Kate Rowland, the BBC’s Creative Director of New Writing, explains why she originally set up the writersroom, what it does, and why it really can make a difference to a struggling writer.
Has digitisation made it harder for writers to get their books in print – or is it democratising publishing? Read the thoughts of industry insider Martyn Daniels here.
Tony James has had 40 years of experience of freelance writing and he says the key to his success is versatility. He has written about everything from sailing to the supernatural, showbiz to Buddhism.
Is creating your own web site a new tool in the armoury of writers seeking out that elusive book deal? Ian Vince tells Phil Ogley how developing his own satirical website led to the publication of his first book.
Lucie Pereira, from Lulu, the global self-publishing company, reveals how you can publish a book and sell it on the web without spending a penny upfront.
Self-publishing is often seen as only for the vain or desperate. Here, Nina Bhadreshwar debunks the myth, and introduces us to the world of the self-publisher.
Learn how in two days with a University College Falmouth course. Whether you're writing brochures, flyers, sales emails, ads, mailouts or radio spots, you will find out how to produce copy with a distinctive voice and how to write for the Web. Our short courses run in Cornwall and Bristol and are led by business-writing consultant Piers Alder. Click here for dates and more information.
Professional Advice
Stop yourself from writing until it’s so clear in your head that you can just go ahead and do it.