If reality TV is over, does that mean more opportunities for writers? Jessica Mayne quizzes Hannah Sim, one of the brightest names in factual entertainment.
Kate Rowland, the BBC’s Creative Director of New Writing, explains why she originally set up the writersroom, what it does, and why it really can make a difference to a struggling writer.
Has digitisation made it harder for writers to get their books in print – or is it democratising publishing? Read the thoughts of industry insider Martyn Daniels here.
The results. Literary agent Nathan Bransford from the San Francisco office of Curtis Brown Ltd. asked aspiring agents to spot the good manuscripts from the bad in his slush pile.
Learn how in two days with a University College Falmouth course. Whether you're writing brochures, flyers, sales emails, ads, mailouts or radio spots, you will find out how to produce copy with a distinctive voice and how to write for the Web. Our short courses run in Cornwall and Bristol and are led by business-writing consultant Piers Alder. Click here for dates and more information.
Professional Advice
Remember that people living in the past didn’t know they were living in the past.